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  Gala start to Music Festival

T&T Newsday, by JOHN BABB Tuesday, February 12 2008

BECAUSE OF the abundance of talent in this country, President George Maxwell Richards on Sunday night again called for a World Music Festival to be held in Trinidad and Tobago.

While being aware that it would involve a lot of work, the President, who first made the suggestion at the opening of the last Festival two years ago, hinted that it was not an impossible task if the TT Music Association, took up the challenge seriously.

President Richards was at the time declaring open the 28th Music Festival at Queen’s Hall.

The Festival. which has grown by leaps and bounds over the years, had a gala opening with a most appropriate programme of top class performances.

Apart from the seasoned Marionettes Chorale, which brought the curtains down on the night’s programme, Festival patrons were also quite impressed at the growth and accomplished music from Golden Hands Steel Ensemble under the directorship of Franka Hills Headley. By the time the band had played the final musical bar, the youngsters won a standing ovation, particularly from the two Festival Adjudicators, Professors Mary Legge and Melvin J. Hurst.

From what started as “four or five little kids on the steelpan”, the band has really grown in stature. Ir continues to look for a sponsor.

During the opening addresses, Dr Dorrell Philip spoke of Festival Committee plans that involved giving performances in different communities during the year. She urged teachers as well as parents to take on a leadership role in helping the Committee accomplish its goals for the next two years. She also urged the private sector to support the Festival Committee.

Professor Mary Legge expressed thanks to those who have been making her stay an enjoyable one. She pointed out that she had been “rescued” from 37 inches of snow in Canada and said she was looking forward to listening to the talents of a musical nation.

Her colleague, Professor Hurst, who previously adjudicated in Trinidad and Tobago four years ago, also expressed thanks for the “rescue” from 30 degrees temperatures.. He said he was looking forward to the days ahead “as we press each other on the road to excellence,” before emphasizing “music does really enrich our lives”.

Richard Young, managing director of Scotiabank, who spoke on behalf of the Festival’s Four Golden Sponsors – Scotiabank, bpTT, TTEC, and Petrotrin – paid tribute to the work of the Festival Committee, and recalled the years when the Committee had the backing of Scotiabank.

Minister of State in the Culture Minister, Donna Cox, who spoke on behalf of Minister Marlene McDonald, paid tribute to the Committee and urged the participants to excel.

Under the directorship of Jessel Murray, the National Sinfonia Orchestra opened the show, leading the way with full orchestral sounds on a number of classical pieces, including “Nostalgia” which was arranged by pannist Liam Teague with orchestration by Gary Gibson. The band also played Leonard Bernstein’s orchestral piece from “West Side Story.”

Then came soprano soloist, Jeanine De Bique, accompanied by pianist Lindy Ann Bodden-Ritch.

De Bique, who has won music scholarships; has her Bachelor’s Degree, and is currently pursuing her Masters at Manhattan School of Music, exhibited her range of tonal quality by first launching into Handel’s “Piangero la Sorte Mia” followed by Debussy’s Ariettes selections, “C’est L’extase”, “II Pleure dans mon Coeur”, “Green”, and “Spleen”. She also did some Negro Spirituals which allowed her to show off her vocal range good breathing technique. It was no surprise that she won standing ovation from the Queen’s Hall audience.

Seasoned and qualified accomapanist, Lindy Ann Bodden Ritch also played a piano solo.

Another Music Festival graduate, Jerome Dinchong on the piano, exhibited masterful dexterity on the keys when he played Debussy’s “Prelude pour le piano,” Chopin’s “Waltz in A Flat major opus 69 No. 1”, and another Chopin piece, “Polonaise in A Flat opus 3.”

Then followed Golden Hands Steel Ensemble, leading off with their Carnival piece “Hooked”, composed by Mark Loquan, Destra Garcia and Ken “Professor” Philmore. The piece was arranged by Philmore. They also did a classical piece to show their versatility.

Following a 15-minute intermission, the Marionettes Chorale, directed by Gretta Taylor, capped an outstanding programme with pieces that included Elton John’s “Aida”.

The chorale showed off its soloists in Marlon De Bique, Lorie Boes, Jacqueline Johnson, Gillian Seecharaan Scott, and Megan Pollonais, coupled with dancers with complete choreography.

The curtains came down as MC Richard Pierre paid tribute to the performers.

Now it’s on to work for the two adjudicators for the next month, climaxing into the championship sessions which begin February 29.
   
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